![]() ![]() She assisted him in moving away from the mainstream that the Beatles had previously inhabited, and encouraged him to develop an independent voice as a composer and musician. Though her name has been unfairly associated with a woman who negatively affects a man's professional performance (Beatles fans often blame her for their breakup), Ono helped John become much more conceptual.Her work is designed to redirect our attention to ideas, instead of appearances. In this respect she is the quintessential conceptual artist. Experiences, events, and performances form the backbone of her artistic practice.Her familiarity with both traditions captivated experimental Western musicians La Monte Young and John Cage (Cage's 4'33'' is essentially a translation of the famous Zen koan "What is the sound of one hand clapping?"). ![]() She was also steeped in Japanese Imperial music (Gagaku). A pioneer in music as well as art, Ono was trained as a classical pianist.The building of interdisciplinary community is another great area of achievement in her career, and a fundamental aspect of her practice. A path-breaking force in eliminating boundaries among the arts, in the early 1960s, Ono opened her home to dancers, composers, and artists and encouraged them to work together.It also brought the audience into close contact with the artist, which was a new concept and crossed traditional boundaries. Her Cut Piece (1964), a first for feminist art performance, invited audience members to take turns cutting off her clothes using a pair of scissors. Ono was one of the strongest feminist voices to emerge from the art world in the 60s.It is designed so that anyone can make it - a crucial dimension of its meaning. Ono's fundamental contribution to the formation of Conceptual Art was involving the audience into the completion of the work.
0 Comments
Leave a Reply. |